Timur Si-Qin
Édouard Urcades
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Timur Si-Qin by Timur Si-Qin With the emergence of Conceptual art in the 60s and 70s, artists, rather than having dematerialized or immaterialized their work, had instead shifted their palette from largely physical materials to largely virtual materials. The virtual as defined by Deleuze "is not opposed to "real" but opposed to "actual," whereas "real" is opposed to "possible."

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