Welcome To Art History For Dreamers
< a decolonial art school | www.decolonizetheart.world >
☁️ Decolonize The Art World believes in imagination as Prophecy ☁️
It’s not as simple as bringing more black and brown people into the museum, but asking why we weren’t there in the first place? There could definitely be more but there are no shortage of inventive Black art workers, artists, and community cultural production - We deserve more than assimilating into the current museum-industrial complex. Rather, after decades worth of violence, erasure, and being embedded in colonialism, this future is one where the museum has de-centralized by redistributing funding into those alternatives contextually relevant models - Let’s get into that - the how, why, and what other possibilities exist.
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Unless otherwise stated or sourced, writing by Yaa Addae ([email protected]).
Perhaps that’s what I’m doing here. In Ghana. Trying to escape my life… perhaps trying to chase a life that escaped and still escapes me. Anyway hunter or hunted, pursuer or pursued, here I am in Afronet. That’s the ever- so- cool name of the internet cafe. So many resonances there that connect with African cultures that, at their foundation, work on principles of connectivity and breaking (dance); synapse jumping and colliding; bouncing off this, riffing on that, picking up stuff here and leaving it there. Like jazz, I mean. Or Negro music as Ellington wanted to call it.
-Nourbese M Philip