Rotten Roots, New Seeds, Healthy Plant :
“You can’t cure or “revive” a plant if the roots are dead+ rotten. The only solution is to pull out the whole thing, treat the soil, +plant a healthy new seed.”

-Gabby Duran (@GBDRN)

Rotten Roots:

The British Museum, originating in the 18th century came out of Hans Sloane’s private collection- when he died in 1753, “he set up his will to ask the British Parliament to buy his collection for £20,000 and set up a public museum that anybody, whether they were British or from outside Britain, would be able to enter free of charge. Of course, what they had in mind at the time was mainly dignitaries and foreign scholars from other parts of Europe.Curators didn’t like the idea that lower orders of society were going to come in and get their hands on the collections. They had a great deal of class anxiety and believed learning was a genteel privilege. It took a long time into the 19th and even 20th century to accept that.” - James Delbourgo

Narrative rewriting and acknowledging the past alone cannot fix this- you cannot curate or juxtapose your way out of centuries worth of violence.

New Seed:

This morning, New York-based Activation residency exploring healing, justice and reimagining intimate gathering + a year round co-op fund surpassed their goal of 50,000 dollars. Artist @annapakart sold her work in an online auction for $25K, which her gallery, @rosskramergallery matched and donated to resistance as respite.

I cannot fully describe the immense joy I feel to witness the realisation of another black queer dreamer’s vision realised. Congratulations to @activationresidency for raising enough to not only care for 50 frontline responders over 5 consecutive weekends, but move closer towards buying land to sustain this work for years to come.

Healthy Plant:

Imagine if the British Museum and its counterparts redistributed the wealth they built on slavery and colonialism into Black Cultural Organisations+ Community Conservation Programmes? Imagine if profiting off of Black creativity meant actively pouring that back into the respective creative ecosystems. Imagine not having to prove yourself worthy of resources that are yours?

This is the work of restoration- not restitution, not a loan, not annotated labelling and DEFINITELY not slapping us in the face by selling stolen ancestral art on the secondary market(Reference -Image: 4, but let’s get into the auctionhouses + commercial galleries on another day).

@ BritishMuseum:

You’re just not the it girl you used to be- and denying that instead of more contextual, community specific art engagement -is tired.

A central part of decolonize the art world is demystifying the moving parts of these world(s). The lack of transparency about power in the art world not only reinforces its status quo, but encourages gatekeepers. The shift required is so much more than hiring decisions, institutions as a whole are deeply embedded in recreating the dynamics they were born of, yet try and move like Miley Cyrus ‘transforming’ into Hannah Montana- same thing, and we can tell.

Felwine Sarr: I take the economy as an example. When one speaks of economics, one often forgets that business science is first and foremost an anthropology about individuals who have certain resources, living in a particular geography and under certain constraints, and who try to use their limited resources under these circumstances as optimally as possible to their needs. But even the most basic economic event, i.e. production, consumption, exchange, is not a natural behavior, but consists entirely of social constructions.DU: What does that mean?FS: That there is a plurality of economic behaviors in human history, of ways of behaving in the domain of economics. The type of economy that is dominant today in Europe and elsewhere has emerged at some given point in time. It is following a certain dynamic, and sooner or later it will disappear again, I am quite sure about that. There are already serious economists who speak of post-capitalism and what an economic system can look like when there is no financial market and the like. What I want to say is that the economy is first and foremost a relationship. Every exchange of material is based on a social relationship that makes the exchange possible in the first place. Many societies understood this concept and base their material values on a relational economy, which is first of all about interpersonal relationships. When you look at the latter, you notice that there is a kind of old and profound substratum that gives rise to very different forms of economic relations, the very anthropologies of which I spoke previously. When I try to find and formulate alternatives, I refer to economics as intersecting relationships that is the foundation for any material exchange.