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Welcome To Art History For Dreamers
< a decolonial art school | www.decolonizetheart.world >
☁️ Decolonize The Art World believes in imagination as Prophecy ☁️

It’s not as simple as bringing more black and brown people into the museum, but asking why we weren’t there in the first place? There could definitely be more but there are no shortage of inventive Black art workers, artists, and community cultural production - We deserve more than assimilating into the current museum-industrial complex. Rather, after decades worth of violence, erasure, and being embedded in colonialism, this future is one where the museum has de-centralized by redistributing funding into those alternatives contextually relevant models - Let’s get into that - the how, why, and what other possibilities exist.


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Unless otherwise stated or sourced, writing by Yaa Addae ([email protected]).

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÷⨊🛠 curatorial ⛓⚙️🔩
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A
Art Futures
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a museum of the future
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auctiounhouses, art market, and artist royalties tings
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black diaspora literacy
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black portals
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Confronting The White Gaze
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Critical Museum Studies
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colonial weirdness
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creative economies
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Decorating Dissidence: African Fashion Histories/Futures
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Demystifying The Art Industry
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Embodied Art Criticism
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Freedom Quilting Bee
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Global Antiracist Arts Organizing
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glitch studies
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Introduction
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Memory Work
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Mining The Museum
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Museum Funding
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Museums + Policing
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On The Issue of Firsts: The Hypocrisy of The Guggenheim
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pleasure histories
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Rest, Beloved : Black Rest As Resistance
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Restorative Justice
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Spatial Matters: Exhibition Architecture
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Support Black Creative Ecosystems, Support Frontline Responders, Support Sustainable Change
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unschooling
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What is the role of the 'artist'?
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Worldbuilding 101
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we need new technology but also, we already have it
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what is art history?
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