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Jodi Sy
creative process
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a test-y thing

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You don’t need fashion designers when you are young. Have faith in your own bad taste. Buy the cheapest thing in your local thrift shop - the clothes that are freshly out of style with even the hippest people a few years older than you. Get on the fashion nerves of your peers, not your parents - that is the key to fashion leadership. Ill-fitting is always stylish. But be more creative - wear your clothes inside out, backward, upside down. Throw bleach in a load of colored laundry. Follow the exact opposite of the dry cleaning instructions inside the clothes that cost the most in your thrift shop. Don’t wear jewelry - stick Band-Aids on your wrists or make a necklace out of them. Wear Scotch tape on the side of your face like a bad face-lift attempt. Mismatch your shoes. Best yet, do as Mink Stole used to do: go to the thrift store the day after Halloween, when the children’s trick-or-treat costumes are on sale, buy one, and wear it as your uniform of defiance.

∆ John Waters, Role Models

“Stop thinking about art works as objects, and start thinking about them as triggers for experiences,”

ambient music pioneer Brian Eno wrote in his diary.

Experiences

A modern life space:

  • lets you enter (door)
  • lets you see the outside space (window)
  • lets you see your own self (mirror)
  • lets you see what else exists besides yourself (light, life, screen)
  • lets you exit (door)

What drives you to make art?

I want to learn. Everything. I have only ever wanted to learn, and to learn deeply. It's the only thing I've ever felt good at.
But what good is knowledge not put to use? Painting, being able to apply all that I've come to understand along with each coat of paint, and finally share so another may learn too: that's why I make art. Why I want to continue to make art, and to develop into something more than a student.

"This is your assignment.

Feel all the things. Feel the hard things. The inexplicable things, the things that make you disavow humanity’s capacity for redemption. Feel all the maddening paradoxes. Feel overwhelmed, crazy. Feel uncertain. Feel angry. Feel afraid. Feel powerless. Feel frozen. And then FOCUS.

Pick up your pen. Pick up your paintbrush. Pick up your damn chin. Put your two calloused hands on the turntables, in the clay, on the strings. Get behind the camera. Look for that pinprick of light. Look for the truth (yes, it is a thing—it still exists.)

Focus on that light. Enlarge it. Reveal the fierce urgency of now. Reveal how shattered we are, how capable of being repaired. But don’t lament the break. Nothing new would be built if things were never broken. A wise man once said: there’s a crack in everything. That’s how the light gets in. Get after that light.

This is your assignment."

—Wendy MacNaughton, Courtney E. Martin

FOCUS
1

The last problem is that if you check social media any time you feel a twinge of boredom, you train your brain to expect constant stimulation. It’s okay to feel bored! Boredom is a skill. The more you can tolerate boredom when you’re doing nothing, the easier it is to rest in deep thought when you’re facing a difficult challenge. - Michael Lynch

Boredom is a skill

establish your own structure — MOVE ON. MAKE A BIG GESTURE, CREATE A RITUAL WHERE YOUR WORK BECOMES PART OF THE PUBLIC. GIVE YOUR ART AWAY — GIFT IT, SELL IT, GIVE IT TO SOMEONE WHO WILL APPRECIATE IT

notes from Brad Troemel
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