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Are.na
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Don't Just Delete Facebook, Poison Your Data First
Don't Just Delete Facebook, Poison Your…
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swarthy yt boy on Twitter: "ppl might see the acquisition of Proquest and be like "oh a data analytics company maybe this wi...
swarthy yt boy on Twitter: "ppl might s…
Bottega Veneta Shutting Down Its Social Media Accounts Might Signal A Trend
Bottega Veneta Shutting Down Its Social…

Finally, the act of creating art on a social network is a balancing act. The successful work of art necessarily critiques the platform it exists on and resists the more negative effects of the money-driven ecosystem found on the internet. Yet it must take part in the system in order to reach a wider audience and fulfill its potential. Like institutional critique and its codependent relationship to institutional spaces, social media art is a virus that piggybacks on its semi-willing hosts, untenable without them but impure with them. The trade-off must be acknowledged and, if possible, appropriated and redirected.

You’ve probably heard that “if you’re not paying for the product, you’re the product.” As we’ll see below, that’s true, if incomplete. But what is absolutely true is that ad-driven Big Tech’s customers are advertisers, and what companies like Google and Facebook sell is their ability to convince you to buy stuff. Big Tech’s product is persuasion. The services — social media, search engines, maps, messaging, and more — are delivery systems for persuasion.

𝓕𝓻𝓮𝓮𝔃𝓮 𝓜𝓪𝓰𝓪𝔃𝓲𝓷𝓮 on Instagram: “where are we moving”
𝓕𝓻𝓮𝓮𝔃𝓮 𝓜𝓪𝓰𝓪𝔃𝓲𝓷𝓮 on Instag…
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I find that, for me, my Twitter is mostly angry. My Facebook is mostly author news. My Instagram is mostly me trying to pretend to be a mermaid. I think they all serve different purposes. In the end, I find that it helps document that I’m alive.

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