And that's also like, what I'm interested in, in looking at historical text, or referencing things in art history, or media history; is that you're also changing your understanding of the past. And I think that's one interest I have in the archive, is like, speaking directly to some of those histories and invoking them, and just knowing to myself that there's actually been continuity.
Like, as a Black artist, I'm often presented as like: “oh, you're the first person to do this or you're the only person to do this.,” they're kind of pushing a break. And like, I'm really interested in pushing continuity.

"Reconceptualized in this way, “home” is untethered from land, family, and lineage. It is siphoned off from the liberal fetish of homeownership — that quintessential image, derived from a short-lived American postwar prosperity, of a picket-fenced house with parents, kids, car, dog. Of course, the feeling of home is not a substitute for actual shelter, but it demonstrates that the need for shelter can be detached from the need for homey-ness or domesticity. “Home” becomes conducive to a more makeshift life, possible potentially anywhere."