idea is to extend control by allowing the patient-subject to problematise the Self and perhaps innovate its own subordination

“The role of the artist is to make the revolution irresistible.”

Van Dijk (1986) suggested that any scholarly tradition that appended “critical” to its name was committing itself to asking “further questions, such as those of responsibility, interests, and ideology. Instead of focusing on purely academic or theoretical problems, it starts from prevailing social problems, and thereby chooses the perspective of those who suffer most, and critically analyses those in power”