Those who view “real life” as distinct from images and who interpret their month-long social media cleanse as a way to return to “reality” might prefer to believe that forms of experience that are not documented visually or that do not adhere to a predetermined aesthetic or a mediated narrative are the “truth.” They may claim that images are “fake” or argue that people who seem to photograph everything are living fake lives. They might suggest that experiences contrived to produce photogenic images are false, an “as-if” experience, LARPing in the pejorative sense. But it may be that the life they are describing — a way of being in the world that is untouched by performativity and projection — would itself require a LARP in order to be realized.