“DER HANG ZUM GESAMTKUNSTWERK”

LIKE THE PREVIOUS EXHIBITIONS “Le macchine celibi” (The bachelor machines, 1975) and “Monte Verità” (Mount Truth, 1978), Harald Szeemann’s latest expository tale, “Der Hang zum Gesamtkunstwerk” (The tendency toward the total art work), offers prodigious riches. In this case Szeemann’s complex variat…

Hiroaki Yamane

Source: “DER HANG ZUM GESAMTKUNSTWERK”
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