The aesthetics and politics of the web at the start was kind of a mix of two things: 1) American—mostly white, mostly male—boomer idealism about virtual communities and global brains and good, free, open communication that could lead toward positive change and common understanding and 2) an even more dominant Gen X sensibility of reflexive irony and evasiveness of politics and (the aforementioned) boomer idealism in favor of silly things largely unencumbered by political concerns. There was awareness, but concern seemed like an emotion that could be pushed away with ironic distancing.

Interview of R.U. Sirius about cyberpunk magazine of the early 1990’s, Mondo 2000. Found at

Julien Bidoret