The Third House - Glass Bead

How does the exhibition as a medium partake in the ontological partitions of modernity? This question seems particularly relevant in a time when it has become urgent to put curatorial practice on new conceptual ground-a fundament that is not limited to art history, but instead is capable of re-contextualizing art history itself against materialist social histories and a multiplicity of modern media-technologies and boundary-making practices.

Actions
Connections