"One of the special problems faced by artists and activists interested in documenting lasting damage to the land caused by nuclear test bombs or by nuclear power accidents is that it can be challenging to depict the harm done to terrain that is both commercially and aesthetically devalued. This sort of topography has long been considered somewhat unproductive, lifeless, or useless, with disregard for its complex desert ecosystem and diverse animal life."

Julia Bryan-Wilson, Aftermath: Two Queer Artists Respond to Nuclear Spaces
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