A Question They Never Stop Asking

Watching the artificial waves breaking on the mechanical shore in Images of the World and the Inscription of War (1989) prompted a question: Why did I, together with Anjalika Sagar, under the name of The Otolith Group, have to travel to Cinema Empire Sofil in Achrafieh, Beirut, in order to see nine Farocki films for the first time?

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