Simulated Subjects: Glass Bead in conversation with Ian Cheng and Hito Steyerl
Suspended Reason
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The advent of algorithmically structured visual environments transforms the aesthetic categorization which classically sustained the production of images, as well as its political dimension. Notably, the longstanding tension between the work of art and the commodity form through which the avant-garde had defined its relation to technology seems to have receded into the background in favor of aesthetic experiences putting to the fore the technologically-mediated conditions of production.

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