The planned spectacle is fine, but I prefer the unofficial stuff that slops into the frame. That’s where the veneer rubs off and happenings can happen. I like the shadowy world of before, the impending excitement of things on the verge, and the discarded world of after, where the cue cards are stored, the carpets vacuumed, the power cords bunched into knots. The suggestion of human ceremony is worth more to me than the ritual itself. It is as if the event is simply a pause between the greater worlds of unpacking and repacking. Here people sweat, practice, concentrate, arrange, plan, argue. Here, outside of the spectacle, the edges melt together.

Martin Venezky

It Is Beautiful — Then Gone, 2005

Shiraz Abdullahi Gallab