The Colonial Histories of Colors and Patterns

SAN FRANCISCO - Stephanie Syjuco's exhibition Neutral Calibration Studies (Ornament + Crime) at Catharine Clark Gallery is physically dominated by an installation of the same name. The crowded platform is host to chipboard cut-outs of reference-rich images: a pixelated, life-size version of Freud's couch and chair, groupings of fruits and vegetables, plants, African masks and sculptures, paper Persian rugs, and a woman reclining on a Le Corbusier chair.

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