We're made of the same stuff.

How I learned to stop worrying and love the primordial ooze.

What kinds of vulnerability do platforms encourage, and what kinds of expression do they limit?

“How are we going to build it if we don’t imagine it?”

“I wanted us to leave something every day—it didn’t matter what it was.”

“To love someone long-term is to attend a thousand funerals of the people they used to be.”

If you choose another way, if you reject the clock, time will flow again.

All of life’s greatest truths are wrapped in mystery.

Submissions should take their root in a channel and fall loosely under the theme “service.”

A consistent space of refuge, a window into an elsewhere.

On exploring color through as many tinted lenses as possible.

In the ’70s and ’80s, the Community Memory Project explored how an information portal could be a shared experience.

Jottings on an elusive term.

To be “against” narrative identity is to recognize that we’re unreliable narrators.

And the potential of a society organized around awe.

More than a literary form, Poetry is the essence of inner feelings and thoughts as they relate to the external world.

Surfline provides live photo or webcam video feeds of surf breaks around the world.

And the different ways to organize and understand cooking and food.

This year’s Are.na Annual, themed "portal," is now available.

On Kamau Brathwaite’s Sycorax video style, the poet’s attempt “to put on the page what sound looked like.”

And the artist’s role in building a world where we are all supported in our right to live joyously

And the ways the app parallels a kind of religious experience.

The search for fissures in systems and networks, towards parts-to-whole relations with ecological and biophysical processes.

Piecing together a framework for reflection from various practices, quotes, and ways of thinking.

And lists, collections, diagrams, and configurations of discrete items that imply vast, continuous worlds.

A meditation on what keeps us going, on the occasion of Are.na’s 10th anniversary.

Exploring the correlation between sports and art through an African American, abstract, playful, creative, tech, stylish, and instinctual perspective.

On how things are made, who gets to make them, and how labor and time gets leveraged.

An assemblage of knowledge established within our mutual histories

As long as computers are built to be in service of, the limits of their intelligence will always be the limits of their suzerain.

Submissions should take their root in an Are.na channel and fall loosely under the theme “portal.”

How have tending and attention changed over time and across contexts, and what might that evolution teach us? 

"By cataloguing media relative to my fears, desires, and stresses, I’m able to trace my evolving reality." 

An ongoing exploration on how surfaces interact with the spaces they inhabit.

Loops, cycles, knots, revolutions, and the development of a new game called Fugue.

“Some of the blocks are like bookmarks for lines of research that I want to delve more deeply into.”

Ingrid Raphael talks with Rae Dand and Onelson Nicholas about how care is activated when our needs are met

Ecology is a weird compass, and through attendance, we can learn to use it.

“How are you? No really, how are you?”

On Afghan diaspora communities, film representation, and the practice of collectively cataloguing knowledge as it expands

Exploring the distinction between a life of occurrences versus a life lived and savored.

“By walking the same route around my apartment everyday, I was in a choreography of noticing and collecting.”

And using an ancient mnemonic device as an organizational tactic for storing and archiving information online.

Creating a future from the intersection of Blackness, rest, and technology in our past and present.

On meeting online, dating during a pandemic, and growing an internet garden together—an Are.na love story

Examining the desire to recreate controllable environments that fit within our own scales and bounds.

Black people are the dependent variable in the progression of civilization, not a function of it.

The Are.na Annual Too, themed “tend,” is now available.

Omar Mohammad, Shiraz Gallab, Florence Fu, and Darin Buzon on self-preservation

The famous Danish author was also a talented, intuitive, somewhat unhinged arranger of flowers.

Before the Internet, hypermedia projects explored open frameworks for moving through a body of knowledge

A centuries-old obsession with a single artwork made in a single moment.

Tables are both infrastructure for and signifiers of our social relations and interactions.

On two webzine anthologies and publishing an “oral history of the internet.”

Submissions for essays and interviews should take their root in an Are.na channel and fall loosely under the theme “tend.”

On new approaches to time, attention, tools, and teaching amid a global pandemic.

Andreas Jonathan, Eliseo Rivera, and Tina Nguyen talk about relationships as technology and finding spirituality and fellowship apart from dogma.

Code Societies’ Melanie Hoff talks with doula and childbirth educator Elizabeth Perez on the subject of the cybernetics of race/ism and sex/ism

What if software wasn’t designed to capture attention, but instead to promote presence?

In the summer of 1968, Vermont was about to publish a statewide billboard ban, courtesy of environmentalist and eccentric Republican Theodor Riehle.

Fifty years after Vermont's billboard ban, Facebook’s ad strategies prove a threat to American democracy. How did we get here?

Dedicated to an object that’s ubiquitous yet already nostalgic, the conference held equal space for history, futurity, and somewhere-else’s.

Designing for better channels of intimacy is as important for privacy protection as security protocols

We're committing to being supported entirely by the community we serve.

How a self-organized summer school is reorienting design education

Lessons from our workshop with The Creative Independent on building a healthy relationship with the web

In the 1970s, an analysis of Earth’s finite resources coincided with hundreds of thousands of Americans going off-grid. As we begin to see the limits to online growth, what’s the digital equivalent?

An unchronological search for the soul through time.

A walk through Are.na reveals the tangled assemblages connecting human and non-human life

And how labor often gets left out of the discussion around nostalgia for the old web.

Announcing the new version of Are.na groups

From survival guides to string stories to quipu, every knot is a set of instructions crystallized.

Collecting, archiving, and printing a body of research for this week's multi-site exhibition on video culture in NYC.

Cory Arcangel on pragmatic Norwegian music festivals, our "always on" economy, and EDM stars as the ultimate just-in-time, carbon-guzzling cog.

An interview with Andrew Beccone on the generative potential of libraries and facilitation as art.

An introduction to our book with The Creative Independent

A collection of notable years, frozen in digital amber

A collection of channels on systems of notation in performance and visual art

Shiraz Gallab argues that tokenism is determined from an external condition, and it’s time we shift our gaze to the tokenizer rather than the token.

Nate Pyper on the parade as an 'other' space of sociality, perpetually in motion

A guest Are.na podcast, brought directly to your ears by artist Jeffrey Alan Scudder and the refugee organization and techno rock band GP&PLS

A collection of channels on the origins of digital pictograms

DISPATCH Learning In and Out of School A collection of resources on learning, pedagogy, and cooperative education.

Woodcuts, tribal imagery, suns, curvy figures, aroma swirls, and earth tones: Evan Collins defines the look of the 90s

A collection of channels feeling out our relationships with non-human beings

On the ground at the second Internet Archive summit for preserving the open web

A collection of screenshots from Instagram Stories documenting the interiors of people's homes.

The founder of the Internet Archive surveys the metaphors and images artists have used to understand the Internet and its short history.

Expanding on Benedetto's talk at SYPartners on archival practice and knowledge management.

Ways of seeing belong not just to individuals but to fields and subcultures. The best way to understand the state of a discipline can be to pay attention to what...

The Creative Independent's Willa Köerner writes about how to thoughtfully and responsibly illuminate private knowledge-building in a public space

On putting together their annual cooking competition house party in Queens, NY

At Xerox PARC in the 1990s, poet Judy Malloy and researcher Cathy Marshall began a collaborative hypertext project through correspondence

Artworks exploring the nexus of queerness, the body, and technology

Refresh is a home gallery run by Natalia Panzer in Sunset Park, Brooklyn

Journalist and musician Claire L. Evans shares the stories of unsung women who shaped the development of the web

Graham Johnson revisits the 3x5 note card, which played a crucial role in documenting, indexing, and linking information in the twentieth century

How to know a place as large as L.A. County, five thousand square miles and population eleven million, if not through triangulation?

A conversation with Elliott Cost and Laurel Schwulst on Radner's digital "green pages" for artist websites

Tracking the weird and wild worlds of modern loneliness, affective politics, and digitally mediated sentimentality