The same is true online as AFK. All technology reflects the society that produces it, including its power structures and prejudices. This is true all the way down to the level of the algorithm. The outmoded myth, however, that equates the digital and the radical continues to prove counterfeit. Normative cultural institutions and the social construct of taxonomical norms—gender, race, class— within them are quick to marginalize difference. Paradoxically, the very nature of these differences titillate, are labeled as “wild.” Nevertheless, this wildness is permitted just as long as it is properly maintained, growing only within its prescribed space. Just as physical institutions lack intelligence and awareness, so do institutions of the digital—Facebook, Twitter, Instagram, Snapchat, TikTok. These are the institutions (re)defining the future of visual culture; they are also, without question, deeply flawed.