In a world where the digital image is no longer used as a simple medium but became an integral part of our existence and corporeality, prescribed, predicted, manipulated, fantasised, controlled, overriden, what would be our responsibility to decipher, question, dodge or reappropriate these new codes of visibility? In other words, where can we still emerge “accidents” of invisibility, shadows, porosities, disturbances that would make possible a sensitive experience of the visible in all its complexity, its margins, its poverty, its extensions and finally skimming the abysmal depth of the image surface?