Designed for human beings, it supports a mind, living in the dimensions of space and time. They are Interfaces that are sensible about where things lay. Like a well designed building, they’re easy to traverse through. One space flows into the other, without surprise.
In this final work he wondered, more generally, what the reciprocal relationship between cultural production and psychoanalysis looked like at the end of the twentieth century.
Having read Deleuze as a student, this sort of questioning was present within many of Mark Fisher’s writings also, albeit updated and made more accessible through his books, blog posts and other writings on the pop-cultural landscape of the present.