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Rooms

  • by Chicago Architecture Biennial
  • 31 blocks • 1 day ago

Seventeenth-century Dutch society promoted a significant transformation in domestic architecture from public to private. A home unfamiliar to us today, the medieval house was public in that it accommodated numerous functions of business and domestic life and numerous people – family, relatives, employees, servants and guests – in shared spaces. Even sleeping was a communal activity, with many people sharing a bed and many beds sharing a room. Later, in the fifteenth and sixteenth centuries, the Italian Renaissance palazzo was occupied as a permeable matrix of rooms. Each room had no specific use and as many as four doors, an arrangement suitable to a society ‘in which gregariousness is habitual’. Robin Evans concludes that ‘Such was the typical arrangement of household space in Europe until challenged in the seventeenth century.’ Increasingly, the matrix of rooms common in ‘hovel and mansion’ was believed to have two features that ‘rendered them unfit as moral dwellings’. First, they offered little privacy as people could roam from one space to another without being easily monitored. Second, they encouraged overcrowding and close contact between occupants.

Jonathan Hill, "Immaterial Architecture" (pg 7)
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immaterial-architecture.pdf
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"There was a commonplace analogy in seventeenth-century literature that compared a man’s soul to a privy chamber, but it is hard to tell now which became private first, the room or the soul. Certainly, their histories are entwined."

Robin Evans, "Figures, Doors, and Passages" (pg 75)
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"Figures, Doors, and Passages" from "Translations from Drawing to Building and Other Essays" by Robin Evans
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Vitruvian Primitive Hut, frontispiece of “Essai sur l'Architecture” by Marc-Antoine Laugier (1755)
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