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Are.na
Cristina Martelo
a way out
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teetering between my mind and what is
dreams and fear

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Laszlo Moholy-Nagy, Light Space Modulator a.k.a. Light Prop for an Electric Stage, 1930
Laszlo Moholy-Nagy, Light Space Modulat…
robert-irwin-features-light-decor-inspiring-fluorescent-light-dimensions-light-sculpture-see-also-making-light-sculptures-li...
robert-irwin-features-light-decor-inspi…
Suturar los espejos rotos de lo imposible (Sutured Broken Mirrors of the Impossible) - Ada New Media
Suturar los espejos rotos de lo imposib…
“I am what Dora would have been”
“I am what Dora would have been”
Ultrasonic dreams of aclinical renderings
Ultrasonic dreams of aclinical renderin…
ShadowLight: Intro to Shadow Theatre part 1 of 2
ShadowLight: Intro to Shadow Theatre pa… 

One entrance to the past is through memory—either oral or written. And water. In this case salt water. Sea water. And, as the ocean appears to be the same yet is constantly in motion, affected by tidal movements, so too this memory appears stationary yet is shifting always. Repetition drives the event and the memory simultaneously, becoming a haunting, becoming spectral in its nature.

Haunted by “generations of skulls and spirits,” I wants the bones.

M. NourbeSe Philip

If light is scarce then light is scarce; we will immerse ourselves in the darkness and there discover its own particular beauty.
In Praise of Shadows, Jun'ichiro Tanizaki

In Praise of Shadows

Light turns the ordinary into magical.
Trent Parke

Trent Parke
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729dd280-4864-461f-bc11-80cb66ff217d.jp
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