Welcome To Art History For Dreamers
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☁️ Decolonize The Art World believes in imagination as Prophecy ☁️
It’s not as simple as bringing more black and brown people into the museum, but asking why we weren’t there in the first place? There could definitely be more but there are no shortage of inventive Black art workers, artists, and community cultural production - We deserve more than assimilating into the current museum-industrial complex. Rather, after decades worth of violence, erasure, and being embedded in colonialism, this future is one where the museum has de-centralized by redistributing funding into those alternatives contextually relevant models - Let’s get into that - the how, why, and what other possibilities exist.
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Unless otherwise stated or sourced, writing by Yaa Addae ([email protected]).
"Queerness is that thing thats lets us know that this world is not enough" - José Esteban Muñoz, Cruising Utopia: The Then and There of Queer Futurity
"Cybernetics comes from the Greek root kubernetes, meaning pilot or helmsman, and was first used by Plato in his dialogues on Laws and The Republic to denote a governor of a country. In the 1940s, cybernetics was given its current meaning by Norbert Wiener in his 1948 book Cybernetics, Or Control and Communication in the Animal and the Machine. According to Weiner, at a basic level, cybernetics refers to “the set of problems centred about communication, control and statistical mechanics, whether in the machine or in living tissue”. Wiener’s concept was that the behaviour of all organisms, machines and other physical systems is controlled by their communication structures, both within themselves and with their environment. The result of this book was that the notion of feedback penetrated almost every aspect of technical culture. Early influential cyberneticians working in Britain include W Ross Ashby, Stafford Beer, W Grey Walter, Frank H George and Gordon Pask. Pask’s interactive cybernetic work Colloquy of Mobiles was exhibited at CS. This large-scale reactive and educable sculptural installation is now seen as a precursor to human-machine interaction. Cybernetics, the study of how machine, social and biological systems behave, offered a means of constructing a framework for art production in which artists could consider new technologies and their impact on life." - Catherine Mason