Is the aleph, that place in Borges from which the entire world is visible simultaneously, anything other than an alphabet?
Ennio Morricone said in an interview that he accepted Quentin Tarantino's request to score the film, because he liked the script, and because Tarantino gave him full freedom in the composition. Morricone said he considers the film an adventure movie, rather than a Western, and as a result, he tried to make the music sound completely different from his famous Western scores. He based the music on the feelings that the script evoked in him, rather than composing music for specific scenes. Because Morricone had only about a month to produce his score, he added several pieces of music that he had originally written for The Thing (1982), some of which had never been used. Morricone finally gave Tarantino five pieces of music, which he could use in the movie as he pleased.
The question we posed ourselves was what would happen if an engineer had to make a serif typeface in transitional style.