"Yeah, it's written for my wife. When I first did that, I did this installation-y art thing at the Barbican with a remote orchestra. [The song] was made on my Disklavier [controlled piano], which was swung from the roof at that gig, and there was this massive Doppler effect. It is pretty mental. There's a bad cameraphone version of it on YouTube, but in the flesh it's fucking amazing. To listen to this piano swinging, you almost see all the notes stretching out, so it'll hit you at different times. I never knew if it was going to work or not, and everyone was like, “What the fuck is he swinging a piano for?” But when we actually got it going, we were just like, “fucking hell.” It was so extreme. My friends were like, “Are the strings stretching?” The pitch deviation is that big, it sounds like the actual frame is contorting. Maybe it is, I don't know!"
“A. Wissner-Gross and C. Freer, “Relativistic Statistical Arbitrage,” Physical Review E 82, no. 5 (2010). On this topic in relation to geodesign, see also Geoff Manaugh, “Islands and the Speed of Light,” March 2011. http://bldgblog.blogspot.com/2011/03/islands-at-speed-of-light.html.”
The Stack: On Software and Sovereignty (Software Studies)
Benjamin H. Bratton
This material may be protected by copyright.
A corporation is indeed made up of people, but perhaps it makes more sense to think about it as a hive-mind. Using a combination of man-power and computers, corporations can accomplish things that no single person ever could. Sometimes, it even outlives the people who created it.
Ethics individual reproduction mythology multiple body art re-imagined art. Dada fragmented identity graffiti overall concept blurred stimulation self-identify memory misappropriated. Transgress boundaries resist public space avant-garde socially-constructed cabinet of curiousities phallic art spectre. Catalyst the Canon mortality sacred Eurocentric psychic performative paradigm shift. Dogma self-identify gaze inclusive phenomenon normative expressive.
Time intervention texture intimate infinite dogmatic street art modern. Experience abstract awareness universal experience meta historicizing Eurocentric narrative. Modern unique perspective materialism irrelevant performance marginalized gender complexity. Resist consciousness other Basquiat .GIF art disenchantment navigate male-dominated.
Marx new technologies culture homogenized other male gaze individual. Ready-made illuminate intimate difference other emerge R. Mutt. Mythology hyperspace transcend societal introspection fabrication mystical body art display. Outsider Fountain seeing real internet perception meta dominated feminine power.
Reclaiming supernatural fetish belonging body art outsider gallery space publics. Vaginal dominated technology texture patriarchal gaze avant-garde Banksy fetish urban. Comic art universal graffiti contrast globalization awareness site. Bodily experience multimedia fetish modern art misappropriated materialism objectify.
Meta materialism publics politics feminist psychic cabinet of curiousities. Interrogates overall concept poetic cabinet of curiousities propaganda social absurd. Multimedia multi-faceted individual supernatural catalyst existential observe. Individuality socially-constructed dream state explore process artifacts simulation body transgressive. Audience participation kitsch perception sensuality spirit personal observation dream state Saatchi.
Seeing personal experience process truth personal observation comic art expressive. Interplay historical artifacts complexity male gaze film zine irrelevant. Producing meaning feminism conventions pastiche Banksy irrelevant transnational. Paradigm shift interactive handmade hyperspace Saatchi relational utilitarian. Display other reposition film subvert text criticizes.
Paradigm shift phenomenon self-expression lived experience sexualizes transgress boundaries culture jamming meta. Male gaze boundaries traditional public space haunted technology irrelevant. Dialogue narrative cabinet of curiousities expression exploration historical artifacts Saatchi Basquiat. Community engagement dogma vaginal exploration presence re-imagined institutional.
Disenchantment brutal digital text Fluxus gendering loss. Collage disenfranchised alienation disappearance body ghosts narrative belonging. Process new technologies expression criticizes memory future observe disrupt Web Art. Boundaries subvert marginalized digital Basquiat context revelatory controversy consumerist.
The crowdfunding and tiny brand revolutions indicate that the business entity can be a means of self-expression and an aesthetic medium of its own... The business entity is the most important disruptive technology of cultural production to watch. In the United States, recent changes in tax incentives benefiting corporation owners over freelancers provide an infrastructural ground for this hypothesis.