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Igor Tarasov
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Apeiron (/əˈpirɒn/; ἄπειρον) is a Greek word meaning "(that which is) unlimited," "boundless", "infinite", or "indefinite"[1] from ἀ- a-, "without" and πεῖραρ peirar, "end, limit", "boundary",[2] the Ionic Greek form of πέρας peras, "end, limit, boundary".[3]

Origin of everything
The apeiron is central to the cosmological theory created by Anaximander, a 6th-century BC pre-Socratic Greek philosopher whose work is mostly lost. From the few existing fragments, we learn that he believed the beginning or ultimate reality (arche) is eternal and infinite, or boundless (apeiron), subject to neither old age nor decay, which perpetually yields fresh materials from which everything we can perceive is derived.[4] Apeiron generated the opposites (hot–cold, wet–dry, etc.) which acted on the creation of the world (cf. Heraclitus). Everything is generated from apeiron and then it is destroyed by going back to apeiron, according to necessity.[5] He believed that infinite worlds are generated from apeiron and then they are destroyed there again.[6]

In Hesiod's Theogony, Chaos was the first thing to exist: "at first Chaos came to be" (or was),[12] but next (possibly out of Chaos) came Gaia, Tartarus, and Eros (elsewhere the name Eros is used for a son of Aphrodite).[a] Unambiguously "born" from Chaos were Erebus and Nyx.[13][14] For Hesiod, Chaos, like Tartarus, though personified enough to have borne children, was also a place, far away, underground and "gloomy," beyond which lived the Titans.[15]

The motif of Chaoskampf (German: [ˈkaːɔsˌkampf]; lit. 'struggle against chaos') is ubiquitous in myth and legend, depicting a battle of a culture hero deity with a chaos monster, often in the shape of a serpent or dragon. Parallel concepts appear in the Middle East and North Africa, such as the abstract conflict of ideas in the Egyptian duality of Maat and Isfet or the battle of Horus and Set.[8]

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Edvard Munch, Two Women on the Shore, 1898
Edvard Munch, Two Women on the Shore, 1…
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