The language of flowers, sometimes called floriography, is a means of cryptological communication through the use or arrangement of flowers. Meaning has been attributed to flowers for thousands of years, and some form of floriography has been practiced in traditional cultures throughout Europe, Asia, and the Middle East.
Yes, in the grand structure of the social world, the individual can use the shape of fashion to achieve appearance between private and public life. But, as stated earlier, the consumption of these fashionable materials can easily be read as an individualized process begetting the concretization of an identity, the programming of a self construction, etc. Moreover, the signification surrounding fashionable materials can be seen as a structural basis that machincally produces forces and labors forever entwined in its assumptions. The Geophasic consumption of cultural materials does not discredit the process of individual consumption, nor of structural or assumed signification begetting labor modes. It merely recognizes that given the implicit nutrients of all possible material, that their form is arbitrary.