As you begin to generate ideas and content for your final project proposal, you will need to create a 20x20 slideshow presentation to introduce your final project to your classmates and faculty.
Use this sheet to guide your proposal. Be as detailed as possible in your answers.
What do you intend to investigate in the courseof your project? What is your primary interest? What concerns you?
Who are you and why is this project important to you? Who is your audience? Why is this the group of people you intend to address? What are their characteristics? How will their outlook and position impact the way they consume your project?
Where will your project reside? What are the characteristics of the medium and/or format that are important for your project? What are the conventions of this medium and/or format and how can you surpass them?
Why is this project relevant? What social, political, economic, environmental, formal, historical concerns does it address? Why is it important to address these concerns?
Create a detailed timeline for your project. Create goals and plot your desired outcomes on a calendar. Do not end your calendar with the end of the semester. Create a long-term plan for your project.
What methodologies, techniques, materials, and approaches are appropriate for this project? Don’t be prescriptive as to your results, but please consider what certain approaches mean considering your desired outcome.
Discuss projects that are similar to your own. Provide historical, social, and political context to your project by investigating the work of other designers & artists.
(adapted from Final Project Proposal Worksheet, Julie Cho)
Discussions play a crucial part in this class. It is important to come to class with prepared questions and comment based on the readings we will do. Some of what we read will be straightforward, some will be difficult. Discussion is how we can collectively help our comprehension and understanding.
A 'Family Tree' of your influences and interests. Prepare a 21 slide presentation that presents:
Your work (7 slides)
Your influences (7 slides)
The broader themes that your influences and interests represent (7 slides).
DUE Week 02
You will create a research archive in the form of an annotated visual glossary. This glossary will address your developing interests / concerns / beliefs as a graphic designer.
DUE Week 08
You will be using the online platform are.na to collect and organize your visual glossary.
The format consists of one "item" (text, image, object, artwork, etc.) accompanied by a title and a 100-150 word annotation.
At least 20 items
Citations for each source
As a group, you will create a 45 minute long 'sound collage' reflecting on your travels to and from the L.A. Art Book Fair. Through the use of sound recording alone, you will investigate and try to capture the experience of yourself and the people around you on your journey. Using the examples shown in class as points of departure, think about how language can be broken down into sound, how sound could be used to create a disembodied 'visual', and how listening can become active.
DUE Week 08
A one page statement of purpose and intention. This statement will present the philosophy of your evolving design practice. The document should focus on the distinctive qualities and approaches in your own work (idiolect) in relation to others work whose characteristics you find influential (dialect).
1 page outline of:
Characteristic, qualities, and approaches within you design practice
Characteristic in the practices of people you find influential
Greater ideas and themes that you are are interested in. Due Week 9
In class break off into pairs and interview each other for 20 minutes. Record the conversation.
Write a 1 page, lucid, clear and articulate statement that incorporated the thoughts above. Present to class.
DUE Week 10
*in-class exercise. TBA DUE Week 15
A 20x20 slideshow presentation to introduce your final project to your classmates and faculty.
DUE Week 15
WEEK 01 J18
Create Are.na account
Class: Work on outline of Genealogy presentation
WEEK 02 J25
WEEK 03 F01
Discuss: Jacques Rancière The Surface of Design
5 items - Visual Glossary
WEEK 04 F08
Discuss: Ursula Franklin The Real World of Technology
Discuss: Lisa Gitelman Near Print and Beyond Paper: Knowing by *.pdf
10 items - Visual Glossary
WEEK 05 F15
Discuss: Trevor Paglen Invisible Images (Your Pictures Are Looking at You)
Homeworkk: Watch Hypernormalization
15 items - Visual Glossary
WEEK 06 F22
Introduction: Noise Flying Through the Air
In Class: Desk Crit
WEEK 07 M01
In Class: Work on Noise Flying Through the Air
In Class: Desk Crit
WEEK 08 M08
Present Noise Flying Throught the Air
Present Visual Glossary
WEEK 09 M15
Discuss: Daniel Buren Why Write
Discuss: Rough Draft Ideolectic/Dialectic
In Class: Workshop Ideolectic/Dialectic
M 22 SPRING BREAK NO CLASS
WEEK 10 M29
Discuss: Rough Draft Ideolectic/Dialectic
In Class: Desk Crits and Interviews
WEEK 11 A05
Introduction: Final Project Proposal Worksheet
Introduction: Every Day Documentation
Homework: Read Reference Work excerpt
Homework: Proposal Rough Outline
Homework: 3 Every Day Documentation Ideas/Roughs
WEEK 12 A12
Guest Speaker Marco Kane Braunschweiler
Artist and Associate Director, Digital, MOCA
Review: Proposal Rough Outline
Review: 3 Every Day Documentation Ideas/Roughs
Homework: Read The Architecture of Content Management
WEEK 13 A19
Guest Speaker Fiona Connor
In Class: Desk Crits
WEEK 14 A26
Present Final Project Proposal
WEEK 15 M03
This course will guide you through the process of researching, contextualizing, and framing the thinking around your final project.
Broadly, we will be investigating these questions:
Specifically, you will be examining these questions by researching, writing, and discussing:
The class will be split up into three sections – Inquiry, Processing, & Framing.
Class time will be used as a forum to discuss assigned readings, review/critique work, and conduct in-class projects.
Identify and investigate topics of interest important to the student’s developing role as a graphic designer
Demonstrate the ability to frame questions, devise appropriate methodologies for answering them, and collect evidence of an ongoing perspective of critical theory.
Apply critical thinking skills, writing skills, and research skills
Compare and contrast the ideas and arguments of varying texts
Collaborate with other students in class assignments, discussions, and critiques.
Reflect on past, present, and future interests and concerns, assessing personal investment in contemporary subjects relevant to the field.
Attendance is critical to learning and academic success; students are therefore expected toattend all class meetings. Students who incur more than two absences in a course that meetsonce per week, or more than four absences in a course that meets twice per week, will fail thecourse, barring exceptional circumstances as determined by the Chair. Exceptionalcircumstances include, but are not limited to: death in the family, serious medical conditions,hospitalization, observance of religious holidays, and some approved disability accommodations.Students wishing to claim exceptional circumstances must provide the Chair with appropriatedocumentation. At the Chair's discretion, numerous absences due to exceptional circumstancesmay necessitate course withdrawal or failure. Three tardies (including arriving late or leavingearly) equal one absence.
This course is graded on a Pass / Fail basis. If you get less than a D in this class you Fail the course.
Plagiarism occurs when a person deliberately uses another person’s concepts, language,
images, music, or other original (not common knowledge) material without acknowledging the
source and/or making substantial modifications. While referencing or appropriating may be part of
a studio or Liberal Arts and Sciences assignment, it is the student’s ethical responsibility to
acknowledge and/or modify the original material
Specific examples of plagiarism include:
Submitting someone else’s work in whole or part (including copying directly from a sourcewithout documentation and/or alteration, or turning in studio work that is not your own).Having someone else produce, revise, or substantially alter all or part of a written paperor studio assignment.
Cutting and pasting any textual or image-based work from the internet without proper
documentation or clarification of sources.
Failure to cite sources.
Proper citations in MLA style and a Works Cited page must accompany all papers.You can find citation information through the Library website. http://www.lib.duke.edu/libguide/cite/works_cited.html
Using the writing, editing, or creative services of another person who quantitatively and/or qualitatively revises the paper and/or studio work significantly.
An editor often fixes the paper without the writer learning how to do it him/herself.Sometimes the editor changes so much of the paper that it is no longer the studentwriter’s work and thus plagiarized. A trained tutor helps the writer to learn how torevise the papers and eventually not need the tutor’s assistance.
Instances of alleged plagiarism are reported to the Academic Integrity Committee for review. Fora complete description of the Academic Integrity Committee process, please go to:
Otis provides an excellent tutoring program, free to all students, located in the Student ResourcesCenter (out the front doors, then left and left). They offer drop in tutoring (when available),a ppointments, and online tutoring. (See website for more information.)
If you are a student with documented disability services (physical, learning, or psychological)requiring reasonable academic accommodations, you must contact Disabilities Services (locatedin the Student Resources Center, ext. 2554) before you need any accommodations. Retroactiveaccommodations are not provided, so please be sure to make your request early in the semester.All discussions will remain confidential.
For additional information, please visit: http://www.otis.edu/life_otis/student_life/student_affairs/student_disabilities_services.html