Down here, the light is peach colored, and as the sun shifts, one loose shadow, like thought, takes on a sharp edge.
∆ Gretel Ehrlich, from Unsolaced: Along the Way to All That Is (Penguin, 2021)
Please bring strange things.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
and the ways you go be the lines on your palms.
Let there be deep snow in your inbreathing
and your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well loved one,
walk mindfully, well loved one,
walk fearlessly, well loved one.
Return with us, return to us,
be always coming home.
My Work is Loving the World
By Mary Oliver
My work is loving the world.
Here the sunflowers, there the hummingbird -
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
Am I no longer young and still not half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all ingredients are here,
Which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.
in the green field
were spinning and tossing
the white ribbons
of their songs
into the air.
I had nothing
better to do
I mean this
a long time ago,
an old couple
opened their door
to two strangers
it soon appeared,
not men at all,
It is my favorite story--
how the old couple
had almost nothing to give
but their willingness
to be attentive--
but for this alone
the gods loved them
and blessed them--
when they rose
out of their mortal bodies,
like a million particles of water
from a fountain,
swept into all the corners
of the cottage,
and the old couple,
shaken with understanding,
but still they asked for nothing
but the difficult life
which they had already.
And the gods smiled, as they vanished,
clapping their great wings.
Wherever it was
I was supposed to be
whatever it was I said
I would be doing--
I was standing
at the edge of the field--
I was hurrying
through my own soul,
opening its dark doors--
I was leaning out;
I was listening.
by Mary Oliver
When we are driving in the dark,
on the long road to Provincetown,
when we are weary,
when the buildings and the scrub pines lose their familiar look,
I imagine us rising from the speeding car.
I imagine us seeing everything from another place--
the top of one of the pale dunes, or the deep and nameless
fields of the sea.
And what we see is a world that cannot cherish us,
but which we cherish.
And what we see is our life moving like that
along the dark edges of everything,
headlights sweeping the blackness,
believing in a thousand fragile and unprovable things.
Looking out for sorrow,
slowing down for happiness,
making all the right turns
right down to the thumping barriers to the sea,
the swirling waves,
the narrow streets, the houses,
the past, the future,
the doorway that belongs
to you and me.